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Marigold Diary

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Art

The sublime P A P I E R

After a long haitus, I’m back talking about a brilliant show currently being exhibited – PAPIER at Gallery Art Positive featuring nine outstanding artists from the Indian Subcontinent. Aisha A Hussain, Chetnaa, Ganesh Selvaraj, Gopika Chowfla, Jignesh Panchal, Sachin Tekade, Sachin George Sebastian, Sudipta Das and Shormii Chowdhury magically exalt one’s mind with just paper.

Invented by the Chinese in the 4th century this became a popular medium for crafts during celebrations in different cultures e.g. papel picado banners in Mexico, kirigami in Japan, papercut silhouettes in England during the Middle Ages and how can we forget the kite or lantern flying in Asia and South America. Infact, till just a decade or two ago there were many who’d indulge in hobbies such as scrapbooking, cardmaking, paper flowers, decoupage, paper mache, quilling, paper making, bookbinding, and paper layering. So as an offset to technology (seen even in art) I decided to interact with Sachin Tekade, a Pune based paper artist who chooses only pristine white paper to depict architectural and natural forms.

1 Untitled 18x18 inches 2018

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To ‘serve’ with love

I recently discovered ISTLONDON, founded by  John William Micklethwaite. Its first workshop apparently started operating in 2013 but it began selling in August 2014. Actually the credit goes to my younger sister who bought its blue pastel dessert platter and serve bowls from the main shop in Alcati (a town on Turkey’s Çeşme Peninsula, on the Aegean Sea, known for its beaches, old stone houses and winemaking tradition) recently during her holiday.

So after checking with John I quickly added this too onto my shopping list for London as the porcelain is fine and available at W A Green, Closet & Botts, 181 Delecatessen & Heal’s. They claim to have used only the world’s best porcelain – Limoges (which is from Llmoges, France) and Mount Blanc; even though the latter is not easily malleable in handmade processes, but its sheen reflects the light perfectly.

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Experiments made her better…

If you are fashion forward you sure would have noticed Rimzim Dadu, a young Indian designer in her early thirties. She started off with her own label right after finishing a Fashion Design course from Pearl Academy, Delhi, in 2006. Her sparsely, brightly lit pale yellow basement studio is nestled in the bustling industrial Sector-2, few steps away from Sector 15 Metro Station in Noida.

Glad to have met her since she is celebrating a decade in fashion, this year. On viewing her crafty, experimental body of work one understands her statement of liking to deconstruct and reconstruct a material, bettter. Proclaiming to be known for her signature pieces, last season’s steel wire collection did well commercially.

This year too she has continued with it, wherein, hair-thin metallic yarns are painstakingly sewn together to form a metal wire sculpted dress possibly for Greek goddess Athena herself. It is 100% bedazzling super flexible metal couture.

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My colonial hangover

As promised, through the month I am going talk shop about niche brands that one needs to pick up during their summer travels. The caveat here is for clients who like ubiquitous high-street and global luxury brands …….less is more!

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Indian jungles re-fashioned with Bengali Sholapith craft

In high summer, Edward Abbey‘s excerpt from Postcards from Ed: Dispatches and Salvos from an American Iconoclast “The weather here is windy, balmy, sometimes wet. Desert springtime, with flowers popping up all over the place, trees leafing out, streams gushing down from the mountains. Great time of year for hiking, camping, exploring, sleeping under the new moon and the old stars ” reminded the fashion aficionado in me of a subtle play with opaque and translucent fabrics. Herein, Sahil Kochhar‘s Chanderi and Organza in pristine ivory, champagne rose and cashmere blue have scalloped hems. Ethereally ornamented with silk floss embroidery they are neatly finished with a serrated edging; making way for an apparition to come alive.

His previous two seasons easily managed to transport one from the Bugyals of Uttarakhand to the exotic Jungles of India with a signature technique Shola pith craft from West Bengal  – 3D applique work.

Graduated from National Institute of Fashion Technology, New Delhi in 2006 he won the Most Creative Collection Award and the Best Academic Performance for the program, too. Thereafter at Rohit Bal‘s he assisted in designing for about 6 years. Eventually in 2013  he launched his own namesake label. Two years later, in 2015, was encouraged on receiving the Grazia Young Fashion AwardElle Graduate Award and nominated by Stardust Awards for the Best Costume Design category. This winning spree continued when the talent moved a notch higher in 2016, nominated from India for the regional round of the International Woolmark Prize 2016.

Acknowledged by the Indian fashion industry beginning this year, he was announced the winner of the AZA Fashion’s Next 2018 Business Program at the Amazon Fashion Week. It offers him the much needed mentorship in retail business for a year with immense exposure at a nascent stage of his career. Rewinding his last six years we’ve seen different appliques, fabrics, designs and thread embroideries being re-fashioned. So, I thought it best to ask Sahil few pertinent questions.

 

Escaping this summer with feminine digital prints and flirty hand-embroidery

Noticing closely I realized  how Sneha Arora a 33 yrs old Kolkata based designer was treading carefully on the middle path chosen between modernism and post-modernism. She derived pleasure from technological positivity and traditional expertise. Her fetish for both hand and powerloom textiles were cleverly juxtaposed with digital printing and hand-embroidery to avoid being too predictive. 

So we connected, as I wanted to know more about her clothing line and other things that mattered-

Her childhood memories: Was a studious kid. Had planned to sit for medical entrance, instead randomly took an entrance exam for NIFT and got through their Fashion Design program, Kolkata.

Her creative influences/memories: Through childhood she excitedly made cards on special occasions for both friends and family. Her elder sister is an interior designer.

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“Visual imagery is what I carried forward from Madura where I had designed tee shirts. Bougainvillea and Rhododendron are my favourite flowers. And the use of khadi is for its textured feel further aggrandized with thread and French Knot embroidery.”

– Sneha Arora

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Artist feels oppressed by the pin which keeps her safety intact

The Safety Pin_03 (1)

“We were sensitized in NID before going out to do projects with the craft clusters. As a student one had to stay in their environment to understand their rudimentary means. It was basically about learning their skillset while humbly playing the role of an intermediary, not god or master” quips the Hyderabad based artist – Shaila Nambiar. Having done Fine Arts from MSU Baroda in 1996, she later also got a degree in Textile Designing from NID, in 2003.

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The Art of Textiles

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I remember visiting quite a while ago a small store in New Delhi’s tony Khan Market, on the first floor. Along with its amazing line of home furnishings which revived old school Indian needlework with global inspirations (i.e. French, Moroccan, Portuguese) were the wooden plank shelves which caught my fancy. On inquiring one came to know of the painstaking efforts taken to procure tracks from Indian Railway auctions for their wood which is ideal for furniture, weathered well and very sturdy.

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Resplendent Benarasi weaves from history and beyond

Jhini jhini bini chadariya.

kah ke tana, kah ke bharni, kaun taar se bini chadariya

ingla pingla taana bharni, sushumna tar se bini chadariya.

ashta kamal dal charkha doley, panch tatva, gun tini chadariya

saiin ko siyat mas dus lagey, thonk-thonk ke bini chadariya.

so chaadar sur nar muni odhi, odhi ke maili kini chadariya

das Kabir jatan kari odhi, jyon ki tyon dhar deeni chadariya.

The Lord Supreme has woven a very fine and delicate tapestry, free of impurities of any kind!

What refined and subtle yarn, what complex interlacing,

He has used to weave it!

Using veins and breath he threads twenty four hours on end,

His spinning wheel turns,

Weaving the tapestry from all five essential elements.

Ten months it takes the Lord to weave his tapestry,

Using the greatest of craftsmanship, care and skill.

That exquisite tapestry is worn by the celestials, by Saints, and by human beings alike.

But they all invariably have defiled it !

Your humble devotee Kabir has worn it scrupulously and meticulously,

And is returning it to you, O’Lord, unblemished and pure !

(cited Blind to Bounds)

Kaaynat - Gold the art of Zari by Swati and Sunaina

Continue reading “Resplendent Benarasi weaves from history and beyond”

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