‘Baluchars- The Woven Narrative Silks of Bengal’

What happens when you miss one of the most-sought after textile exhibitions? You order a richly illustrated book titled – ‘Baluchars- The Woven Narrative Silks of Bengal’ edited by Jasleen Dhamija and published by Niyogi Books. Actually, early this year Darshan Shah of  Weaver’s Studio Resource Centre had put together a Baluchar retrospective at the National…

Experiments made her better…

If you are fashion forward you sure would have noticed Rimzim Dadu, a young Indian designer in her early thirties. She started off with her own label right after finishing a Fashion Design course from Pearl Academy, Delhi, in 2006. Her sparsely, brightly lit pale yellow basement studio is nestled in the bustling industrial Sector-2,…

My colonial hangover

As promised, through the month I am going talk shop about niche brands that one needs to pick up during their summer travels. The caveat here is for clients who like ubiquitous high-street and global luxury brands …….less is more!

Indian jungles re-fashioned with Bengali Sholapith craft

In high summer, Edward Abbey‘s excerpt from Postcards from Ed: Dispatches and Salvos from an American Iconoclast “The weather here is windy, balmy, sometimes wet. Desert springtime, with flowers popping up all over the place, trees leafing out, streams gushing down from the mountains. Great time of year for hiking, camping, exploring, sleeping under the new moon…

Anti-fashion menswear for X, Y, Zee generations

Itō, Ito, Itou, Itoh or Itoo (written: 伊藤) might be the sixth most common Japanese surname but now is the name of a Delhi based menswear label owned by Amit Babbar, which also means a yarn or thread in their lingo. Its aesthetics are an aftermath of his luxurious globetrotting trips during childhood which left an indelible mark…

Escaping this summer with feminine digital prints and flirty hand-embroidery

Noticing closely I realized  how Sneha Arora – a 33 yrs old Kolkata based designer was treading carefully on the middle path chosen between modernism and post-modernism. She derived pleasure from technological positivity and traditional expertise. Her fetish for both hand and powerloom textiles were cleverly juxtaposed with digital printing and hand-embroidery to avoid being too predictive.  So…

Did you know of Akaaro’s Kingi?

  Differentiating between a powerloom or a handloom weave from afar, Gaurav Jai Gupta – the designer behind Akaaro, is all set to take advantage of his archival ground-breaking samples for creating conscious fashion trends. At an impressionable age when most are interested in music and photography,  he went along with his friends to NIFT,…

Regenerated tweed, both light and warm

There are reasons for me to pick up the threads with this post – main ones being recycled fibres and the fashion industry being the second largest polluter in the world. It makes me happy to speak about PASHMA – an Indian label through its cashmere range is taking sustainability to another level. I had the opportunity…

Jamdani – a sublime weave does justice to slow fashion

She remembers sketching gowns from class 7th onwards after secretly gaping at the international fashion magazines for hours on end. Had fancied a German – Karl Largarfeld ever since, for successfully creating three distinct labels simultaneously – French fashion house Chanel, an Italian one Fendi, along with his own fashion label.