A realist, and dark artist’s tryst with embroidery

I avoid horror films or anything dark but this embroidery art drew my cynosure because of its brightly coloured beads and threadwork. Using colours and embellishment his artworks lighten heady realism of unrest and extremism today. Presently, working on his next exhibit is the artist – Theegulla Venkanna, at Kalhath Institute, Lucknow. Founded by Lucknow Design…

Make this eco-friendly ceramic tableware your festive gift this season

The first Indian Ceramics Triennale: Breaking Ground is on at the Jawahar Kala Kendra, Jaipur (in collaboration with the Contemporary Clay Foundation) till 18th November 2018. This and few other exhibitions in the recent past have been slowly and steadily bringing to fore ceramics in India. On the surface it seems like a sudden burst…

The sublime P A P I E R

After a long haitus, I’m back talking about a brilliant show currently being exhibited – PAPIER at Gallery Art Positive featuring nine outstanding artists from the Indian Subcontinent. Aisha A Hussain, Chetnaa, Ganesh Selvaraj, Gopika Chowfla, Jignesh Panchal, Sachin Tekade, Sachin George Sebastian, Sudipta Das and Shormii Chowdhury magically exalt one’s mind with just paper. Invented by the Chinese in…

Artist feels oppressed by the pin which keeps her safety intact

“We were sensitized in NID before going out to do projects with the craft clusters. As a student one had to stay in their environment to understand their rudimentary means. It was basically about learning their skillset while humbly playing the role of an intermediary, not god or master” quips the Hyderabad based artist –…

The Art of Textiles

I remember visiting quite a while ago a small store in New Delhi’s tony Khan Market, on the first floor. Along with its amazing line of home furnishings which revived old school Indian needlework with global inspirations (i.e. French, Moroccan, Portuguese) were the wooden plank shelves which caught my fancy. On inquiring one came to…

Warangal began with prayer rugs

Getting festive ready I chanced upon Poludas Nagendra Satish’s Sutra Durrie. This led me to understand how earlier one could differentiate through designs of one village or weaver from the other. The cottage industry of durrie weaving in Warangal, Telengana can be recognized with its geometrical and angular designs in weft interlocking technique (both sides…

The radical experimenter

I had the opportunity to view Rooshad Shroff’s solo debut show – 15,556 Man Hours represented by Pundole Gallery earlier this year during the India Design Fair 2017 at Bikaner House, New Delhi. These were 26 pieces of furniture such as chairs, tables, benches, screens, daybed, and lighting in three distinct techniques – colour sanding, zardozi…

Its bold colours and graphic all the way

Recently at Mahatma Mandir in Gandhinagar, Textile India 2017 shed light on ‘Make in India’ initiative. So, without digressing much, I’d like to highlight ‘Made by an Indian’ who chooses to use these very same rich woven fabrics on foreign soil.

Bringing to life the mundane in a village

A young man striking a pose while enjoying music on the transistor by his buffalo, another one running after the birds in the fields, three young damsels making mayhem while sitting on a buffalo, buffaloes gloriously resting under a canopy glued to some blaring noise and many more colourful paintings recreate his rural imagery that gave me goosebumps; increasing my yearning to go…

The art of handpainted Chintz

Having missed the talk on ‘Exploring the Technology of Chintz : From buffalo milk to sheep dung and all the magic in between’ organized by Craft Revival Trust I couldn’t afford losing more time so I went directly to Art Motif Gallery, to witness Renuka Reddy’s chintz magic, first hand.